Views on Reviews

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Even though the new year has barely begun, it’s always a good time to reflect and review.

Unfortunately, the previous year wasn’t kind to superhero shows. (Or maybe it’s the other way around: Superhero shows weren’t kind to 2023.) Here is a list of superhero movies from last year and their scores on the “Tomatometer” –

Notice that only two films reach the equivalent letter grade of an “A” (both animated, by the way). And seven of these ten movies average out to a “C” or worse – including three below 50%. (Ouch.)

Aside from critics’ reviews, a film’s success also depends on how much money it makes (and also how much it costs). The criteria for “hit” movie, then, is multifaceted.

In the same way, teachers must consider a variety of factors when reflecting on classroom success.

Beyond summative assessment scores, we should account for pre-assessments, school context, and external factors. And go beyond academic measures for “success,” acknowledging the power of social and affective factors.

Here’s a neat-o graphic inspired by work from York, Gibson, and Rankin on “Defining and Measuring Academic Success” (2015).

Again, I would argue these aspects (and more) influence all kinds of success, not merely “academic.”

We’ve talked before on this blog about defining success and evaluating outcomes. But for now, let’s focus on reviewing teachers. How do we measure teaching effectiveness? And who should do it?

Not long ago, Edutopia asked this latter question, and summarized research into various teacher evaluation methods. This is their headline and graphic, and you should click HERE to read more.

For now, here’s a quick summary (you’re welcome) on some useful elements to enhance teacher evaluation:

  • Teachers should review their teaching with a peer, including fellow experts in content and pedagogy.
  • Wellwritten rubrics (and well-trained evaluators) help provide structure and intentionality.
  • Video recordings afford flexibility and efficiency for review, as well as opportunities for self- and peer-reflection. (This one is a personal favorite, and helps you reach “iconic” status.)
  • Student feedback can be a powerful supplement to other evaluations, especially to gauge rapport, management, and relative rigor.

Teachers, what do you think? How do you use any or all of these in your self-evaluations and self-improvement?

That last one – student reviews – can be tricky. The researchers acknowledge this, noting that some students may evaluate their teachers too harshly. In the entertainment biz, it’s called “review bombing,” and teachers can be mindful of such pitfalls, however rare. (As one of my mentors used to remind her colleagues, “consider the source.”)

I’m encountering a new sort of review process now that my book, “Teaching Is for Superheroes!” is out and in the public. (Have you heard? Or seen? Or both?)

Writers are cautioned to avoid reading their own book reviews, as this habit can stunt, distort, or even paralyze the creative process.

I’ll admit, I’ve taken a peek at a few reviews of my book. They’re not too bad (yet). And hey, I’ve still been writing! (Exhibit A: This blog.)

Still, I don’t want to get bogged down in second-guessing, cringe-inducing, and/or back-patting obsessions.

Teachers must also be careful in focusing too much on reflection and review that they forget to actually teach. Use reviews purposefully and proactively, but not at the expense of your instruction.

Teachers, what else do you do to review, reflect, and improve your teaching?

Please share your ideas. (Sharing and supporting the profession is a great way to help others AND yourself.)

Here’s one more suggestion: Check out a book on teaching! (I have a recommendation.)

And when you do, please provide an honest review at your favorite online merchant (or two), Goodreads, social media, or your own personal blog or podcast. I promise not to look at it . . . more than twice.

Excused Absence?

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You may think this blog’s title refers to the relative lack of new posts in recent months. 

I wouldn’t blame you. Hopefully we’ll get back to a semi-regular schedule soon.

But I’ve had my reasons for such blog-paucity. It’s been a busy fall semester. Exhibits A-J . . .


Actually, the topic of “Excused Absences” comes from a social media post by Marvel Studios.

Check out this “Permission Slip” fans can use to skip school or work (or both if you’re a teacher). 

What’s your reaction to this note? 

  1. Ha! That’s funny.
  2. Hey, that’s not a bad idea.
  3. Gasp! How dare they make light of skipping school and/or work, especially in light of data on chronic student absenteeism and the detrimental effects on learning and retention?

If you responded closest to #3 above, chances are you’ve had some prior experience with students that miss or skip classes. 

(Still, I’d hope you can take it as a clever joke. And maybe sympathize with those of us excited to witness two landmark events in the wider Marvel Cinematic Universe.)

But since the issue is on the table, let’s look at students who miss school. And if it’s any encouragement, superheroes go missing all the time . . . .

Focusing on STUDENTS, the causes and effects of missing school are diverse and interdependent. For example, is a student not doing well because they are missing class, or are they missing class because they are not doing well? 

Regardless of causation, we can clearly see correlation. Here is a graph based on data of students in my university, courtesy of our Office of Academic Affairs. 

Sure, there are outlier individuals who buck the trend. But overall, it’s not too hard to notice that the more classes you miss (Number of Days Absent), the lower your overall grade point average (GPA).

You can find all kinds of data and research on this important issue, including the ones listed here.

(Notice this topic is so crucial that even the White House has an official position statement on the matter!)

No big surprise, then, that a general rule of thumb is “Stay in school, kids.” 

See? Even Batman and Spider-Man agree!

Easier said than done for some, of course. Start with the list above for resources to increase attendance and engagement.  

And please share what you and your school do to help invite and retain students. Successes? Struggles? Lessons Learned? Advice to Share?

We welcome your feedback! (And will even write you a note if you need one.)

Big and Little, Across and Beyond

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We aren’t even halfway through 2023, and already it’s been an eventful year. (See Exhibit “A” – for AWESOME!)

To celebrate, let’s take a look at 2023’s first half of superheroes on the screen – AND explore applications to teaching in the classroom.

Moon Girl and Devil Dinosaur

Hands down, this show is the coolest cartoon right now – on TV (Disney Channel), streaming (Disney+), OR online (full episodes available free on YouTube). The animation can get busy at times, with quick cuts, Easter eggs, and side jokes galore. But it’s a fun show, full of positive messages about family, diversity, learning and growing up, as well as at least one groovy musical number in each episode.

In addition to plenty of teachable STEM-related topics, my favorite bit is Coach Hrbek filling in as substitute teacher. Coach compensates for his lack of content knowledge by throwing out as many sports analogies that come to mind. The results are mixed (check out the 26:40 mark from the first episode HERE).

Teachers should learn from Coach Hrbek’s example: Metaphors, analogies, and illustrations can often help teach a concept. But they cannot replace authentic understanding, and can even get out of hand and create further student confusion.

  • (Fun Fact #1: Fred Tatasciore, who voices Coach Hrbek, is also the “voice” for Devil Dinosaur.)
  • (Fun Fact #2: My elementary gym teacher was also named Coach Hrbek, but we had to call him “Mister Hrbek.” Good guy.)

Ant-Man and the Wasp: Quantumania

There’s plenty of STEM stuff in the third Ant-Man film, which takes place mostly in the subatomic Quantum Realm. More than just namedropping science-y terms, the film’s creators provide extra resources that explore science fact and science fiction. One example is this video with actor Paul Rudd and a quantum physicist, which teachers can use for a quick science primer:

The movie also features a great scene about teaching itself, during which Scott Lang tries to show his daughter Cassie how to fight with shrinking powers. Take a look:

Notice how Ant-Man attempts to teach by modeling, which is tricky when his example is too small and too fast to observe. Teachers, where do you teach by example? And what visual aids or illustrations do you need to enlarge (or slow down) to increase impact?

Guardians of the Galaxy Vol. 3

The connections to teaching (and science) are a bit more of a stretch for this film, but both are still there for teachers to consider. Science-wise, the main antagonist High Evolutionary does all kinds of wonky experiments that conjure conversations about genetics, “natural” selection, and bioethics.

Teaching-wise, the best lesson from GOTG3 is to remember the “little things” amid the bigger backdrop. Shortly after the movie’s release, Amelia Emberwing of IGN wrote an essay titled, “Guardians of the Galaxy Vol 3 Understands That Without the Small, the Big Doesn’t Matter.” I recommend teachers read it (Spoiler Alert, of course), and consider educational parallels.

Take this quote from the essay, for instance: “[T]he real trick to these stories — the secret sauce that has made the Guardians of the Galaxy films stand out over the years — is [writer/director] James Gunn’s understanding that without the small moments, the big ones don’t matter.”

The same sentiment goes for schools. Sure, teachers have standards, assessment data, “scopes and sequences” to plan and track over multiple semesters. But more important than these “big” things are the small moments occurring on a daily basis in the classroom, cafeteria, playground, and hallways.

Spider-Man: Across the Spider-Verse

This film – the most recent of the batch – is basically the culmination of ALL the above.

  • Dizzying, dynamic animation? Check.
  • World-hopping misadventures? Yup. (Multiverses, natch.)
  • Science-ish shenanigans? Sure.
  • Lessons from mentors, family, and loved ones? Loads of that.

That last checked box is the one teachers can apply to learning and teaching. If you haven’t seen the film yet (you should), there are several special “small moments” between main character Miles and his parents and other teacher-like figures.

No spoilers here, of course, but watch the trailer below for one such instance. Across this preview’s assorted clips, listen to the dialogue coming from a scene between Miles and his mom:

Part of effective teaching (and parenting) is letting go. Let our students go off to the wider world, try things out, apply their learning, learn from mistakes, make their own decisions (and friends), make new discoveries.

Is it hard? Of course, as are ALL worthwhile endeavors.

But we can trust in our teaching. And trust in these future heroes. Start today.

Appreciation Day? Week?

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Tuesday, May 2, 2023 is Teacher Appreciation Day!

Teacher Appreciation WEEK is actually Monday, May 8, through Friday, May 12, 2023.

What’s up with that?

Start by thanking Eleanor Roosevelt.

Also the Gregorian calendar.

And read more about the history HERE, thanks to the “We Are Teachers” website.

Most importantly, check out the “Teaching Is for Superheroes!” Facebook page, where you can join a GIVEAWAY contest for a FREE copy of my new book!

Best of all, use this contest to SHARE and SHOW your appreciation for a favorite, fellow, or former teacher!

THANK YOU!

T-Minus 50!

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Mark your calendars! The release date of Teaching Is for Superheroes! is only FIFTY DAYS away!

May 31, 2023!!!*

*Let’s hope our supply of exclamation points lasts that long!

Have you pre-ordered your copy yet?

You can do that all over the internet via Amazon, Barnes & Noble, Target, Walmart, and Wiley! (Hooray for technology!)

Plus, look for news about pre-order GIVEAWAYS on social media!

Follow, “Like” and Share the official Facebook page, Twitter, and my burgeoning Instagram (but only if you’re cool).

You can also go to the official website www.TeachingIsForSuperheroes.com – to learn more!

And of course, you can always READ this very blog for more teasers, news, and celebrations of teachers and/or superheroes.

For example, to celebrate 50 days left, here are five of my all-time favorite comic book #50 issues!

Don’t worry; we won’t do this for the next 49 days . . . although it is tempting. Gotta bottle up those exclamation points!

Drat! Somebody put that cap back on!

“What if . . . ?” and More Marvelous Questions

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The latest Disney+ Marvel series is new in a multitude (multiverse?) of ways.

First, What if . . . ? is noteworthy as the first animated show in the Marvel Cinematic Universe, or MCU. (Spider-Man: Into the Spider-Verse doesn’t count . . . not yet, at least.)

Second, What if . . . ? is significant since it explores all kinds of hypothetical storylines in the MCU. The series takes well-known characters and contexts of the films and follows different routes. (Remember when the first Avengers movie combining multiple film heroes was considered a risky idea? Look how far we have come!)

So far, we’ve seen different characters taking the mantle of significant heroes (Captain America, Star-Lord), as well as heroic characters doing unheroic things. In addition to the allure of endless possibilities, the What if . . . ? series is enjoyable because these alternative tales come in bite-sized episodes. Even so, some of these scenarios have potential for all kinds of fun adventures and far-reaching ramifications.

As a testimony to the power of “What if . . . ?” consider how there are 200+ issues of this comic series, begun nearly 50 years ago. As creators publish stories in “regular” comics continuity, other writers can explore branching paths and possibilities.

The question “What if . . . ?” can foster similar results in the classroom. Past blogs have written about the power of questioning, which you can check out HERE and HERE.

It’s important to remember not all questions are equal. Some are more effective in cultivating engaged and reflective students. Below is a list of potential questions teachers can ask to facilitate, encourage, and assess students’ learning.

  • “What if . . . ?”
  • “For what reasons . . . ?”
  • “What do you think could happen if . . . ?”
  • “How might that compare with . . . ?”
  • “Why might . . . ?”
  • “Where else could we . . . ?”

These are just some examples, and I’ve shared more in a recently published article available HERE. Note that NONE of these questions can be answered with a simple “Yes” or “No” or similar dichotomous response.

In other words, students have to go further and THINK about the topic in a more robust manner. Moreover, there’s less chance they can “fake it” or just guess an answer. Often, such work promotes collaboration and communication.

Such open-ended questions may not catalyze a zany tale about alternative Avengers, but they can produce meaningful learning.

One caution is to beware of counter-productive conversation. When dealing with open-ended questions like “What if . . . ?” there is potential for students to go down pathways the teacher did not intend. While this may add to creativity and application, it could also veer into darker territories. Just consider some of sadder episodes of What if . . . ? we’ve already seen, in which [Spoiler Alert] a hero becomes the villain, or ultimately destroys their world.

Hopefully your classroom won’t pivot to such hopelessness. Still, be mindful of keeping students on-task and oriented toward learning goals. Even when using open-ended prompts, teachers can guide student thinking toward intended outcomes. Such parameters could be as simple as time limits or brainstorm boundaries. For example, a science teacher might pose a challenge that prompts investigation, but requires students to use only certain materials or technology. Sometimes this is called a “testable question” in science classrooms.

No matter the subject, teachers can be purposeful in using “What if . . . ?”-type questions to get the full effect. For inspiration, consider how masterminds behind the MCU have carefully scheduled and set up movies, television shows, specials, etc. Each production features minute details and allusions that result in monumental meaning in subsequent films. (For example, it’s no coincidence that What if . . . ? has come out between the Loki television series and the upcoming Spider-Man: No Way Home film.)

Teachers don’t have the multi-million dollar movie machine like the MCU, but they can still be intentional and inspirational by providing creative, challenging, and coordinated questions for their students.

Just imagine . . . What if . . . ?

Lessons from Stan Lee

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This post is different than most, pausing to honor the late, great, Stan “The Man” Lee.

I won’t even attempt to write a tribute to Stan Lee’s marvelous life and legacy, as several others have done a much better job.

For example, take a look Marvel’s website HERE, which includes this inspirational quote:

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Also, many celebrities have written kind comments about Stan’s impact on their personal and professional lives. You can read several of them at https://www.rte.ie/entertainment/2018/1112/1010478-stan-lee-tributes/.

Even Netflix is honoring Stan Lee by encouraging viewers to use his catchphrase “Excelsior!” when searching for a show. Try it and see what happens.

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My way of thanking Stan “The Man” Lee is to consider all the lessons teachers can learn from his example. How can we bring these same traits to our schools and classrooms?

Enthusiasm

When I think of Stan Lee, the first thing that comes to mind is not the heroes and villains he helped create. Instead, it’s his overwhelming enthusiasm. Just take a look at this cover to his comic book-style autobiography:

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Or this real comic book featuring a real photo of Stan Lee:

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Although many people learned about Stan Lee through his various movie cameos, he actually had plenty of exposure first through comic book stories. Here is a neat article summarizing Stan’s various cameos through years of comic books. You’ll note a recurring theme of self-deprecating humor, fun, and energy.

Here’s an early depiction of behind-the-scenes with Spider-Man artist Steve Ditko:

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Much later, Stan made an appearance to narrate an entire issue of Generation X:

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This stint prompted a company-wide event the next year, in which Stan appeared to introduce every Marvel comic book’s “flashback” story:

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Advocacy

Stan Lee was an advocate for superheroes and their fans. Like the comic book example with Steve Ditko above, Stan introduced comic book readers to the creators and the creative process.

This was long before blogs and social media. Instead, Stan provided monthly updates in the comic books – Stan’s Soapbox, Bullpen Bulletins, and more. Moreover, he made it fun to be a fan.

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Brandon Zachary from Comic Book Resources wrote an essay, “How Stan Lee Created Comic Book Celebrity and Modern Geek Chic,” explaining “He became every reader’s ‘Uncle Stan,’ a sarcastic but kind figurehead of comics. Stan Lee helped mold the modern idea of Geek Chic into what it is today, and turned Marvel Comics from an entertainment company into its very own culture.”

Stan advocated for more than just superheroes and comics. As a writer and editor, he shared stories dealing with issues like alcohol and drug abuse, racism, hate, and more. Here are five of his “Soapbox” writings addressing such issues, including the one below from 1968:

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One noteworthy issue of Amazing Spider-Man is #96 in May, 1971. This was the first comic book published by Marvel or DC to NOT have the seal of approval by the Comics Code Authority.  The “code” was used to ensure comic books were safe for young readers. But in Spider-Man #96, Stan Lee wanted to tackle the issue of drug abuse.

ASM96_01

Forgoing the CCA’s seal of approval, Stan wrote and published the story. Soon after, the CCA updated its guidelines to consider depictions of controversial subject matter in individual stories.

 

Collaboration

Stan Lee is famous for pioneering the “Marvel Method” of making comics. Before this, writers scripted comic book stories with detailed descriptions and dialogue. To save time, Stan reduced the direction in his scripts and allowed the artists to decide things like page layout, number of panels, perspectives, etc. This created more trust with the artist, to the point where both writer and artist were credited as “co-plotters” in many comic book issues.

You can read more about this collaborative approach here, and hear Stan Lee describe the process himself in the following video:

 

Although Stan Lee frequently receives credit as creator of multiple Marvel heroes, he himself acknowledges the powerful role of co-creators and artists like Jack Kirby, Steve Ditko, Larry Lieber (Stan’s brother), and more.

Here is another example of Stan’s collaborative spirit, shared by recent Spider-Man writer Dan Slott:

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Stan’s spirit of collaboration (and marketability) is perhaps what led to the “shared” universe approach in Marvel Comics. Readers could relish guest appearances, cameos, and team-ups among various superheroes and villains. Such crossovers are much celebrated (and copied) in the series of movies in the Marvel Cinematic Universe.

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Ageless Wonder

This is one of my favorite panels from Stan Lee’s memoir:

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Stan Lee had worked in the comic book business for many years before he began his Marvelous run. This is a recent tweet from writer and reporter Brett White, reminding all of us it’s not too late to start something new:

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During my own lifetime, Stan Lee’s work was less in comic books and more in other media. He moved from New York to Los Angeles in 1981 to oversee television and film versions of Marvel characters.

Soon after came video games, including Spider-Man for Atari in 1983. How many 60-year-olds do you know would gleefully help like Stan in this Blip magazine feature?

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The first time I heard Stan Lee’s voice may have been in the PlayStation/N64 Spider-Man game, published in 2000. Even in his late 70s, Stan enthusiastically introduced “True Believers and Newcomers alike” into a “true superhero action thriller,” which you can enjoy here:

 

Stan Lee continued to try new things throughout his 80s and 90s. Some projects were more successful than others. Nevertheless, his work displays an energy envied by creators of all ages.

In 2001, Stan even wrote special “Just Imagine . . . ” comic book stories featuring characters from long-time rival DC Comics.

 

 

 

 

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More recently, Stan Lee worked on several global projects. His last superhero creation was based on Chinese pop star G.E.M. He also helped create multiple heroes for Japanese anime and manga (making a few personal appearances, of course).

 

 

 

 

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There will never be another Stan “The Man” Lee. But we can take inspiration from his enthusiasm, advocacy, collaboration, and lifelong learning. And we can remember Stan Lee’s example every time he pops up in a cameo.

 

‘Nuff said. Excelsior!

Changing Tools

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Long-time readers of this blog will know that Captain America is one of my favorite heroes. (Just take a look at these posts about Iconic Images, Teacher Evolution, and Grit-ty Heroes.)

Recently, Marvel Comics released the landmark issue Captain America #700, which includes a special back-up story using unpublished pages drawn by the late, great co-creator Jack Kirby with a new script by current writer Mark Waid.

Check out this classic artwork brought to life:

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In the new Avengers: Infinity War film, Cap has a whole new look. Besides facial hair and muted uniform colors, another noticeable difference is his missing shield.

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Over the course of decades and different media, the Star-Spangeled Avenger has used a variety of shields. In fact, the good folks at Comic Book Resources have published a list of TWENTY Captain America shields, ranked from worst to best.

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Each of these shields are unique, but they all serve as both defensive and offensive tools.

Captain America has his shield. Spider-man’s got his “web-shooters.” Batman has endless  batarangs. Green Lantern uses his ring (and lantern).

 

 

What trademark tools do teachers use?

Perhaps the most iconic tool of teachers is the chalkboard (and all its derivations). Just do a quick Google search of the word “teacher” and you’ll discover an array of people posing in front of a chalkboard:

 

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As seen in these images, the chalkboard is cross-cultural and used world-wide.

Much like Captain America’s shield, teachers’ chalkboards have transformed over the years.

First we have the chalkboard:

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In black OR green varieties!

 

Then we got the overhead projector:

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You can face the entire class while you write – BONUS!

 

Then came whiteboards:

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Less chalk dust, but more mind-altering marker smells!

 

Add a projector and computer connectivity, and you get a SMARTBoard:

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More recently, the advent of “Augmented Reality” (AR) is a new addition to standard SMARTBoards. Here are two photos courtesy of the March/April 2018 issue of THE Journal:

AR photo 1AR photo 2

No matter the board, each version serves in the same general capacity – to display visual information, record ideas, provide an avenue for students and teachers to share, and more.

And like Captain America’s shield, the actual effectiveness of the tool depends on the expertise and ingenuity of the user. A state-of-the-art tool used poorly yields shoddy results.

Honestly, the above photos of AR-using teachers are problematic. In one, the teacher is fixated on the board instead of the students; in the second, the computer station is a barrier blocking the teacher from her students. Both examples are just snapshots, but both could be improved with more flexibility and responsiveness to the students.

Let’s look again at Captain America’s multiple shields. Besides the standard round metal variety, I’m particularly fond of Cap’s energy shield.  One version of this tool could change according to the user’s purpose:

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So teachers, whether you have a dusty chalkboard or spiffy AR-enhanced SMARTBoard, or anything between, please be sure to use it well. Practice to increase efficiency. Welcome student contributions. And use it creatively, adjusting to the context of the lesson and learners’ individual needs.

 

 

Know Gimmicks

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gimmick ˈɡimik/  noun

  1. a trick or device intended to attract attention, publicity, or business.
    synonyms: publicity stunt, contrivanceschemestratagemploy;

    informalshtick

 Every Marvel movie features snappy quips, and one of my favorite lines from Captain America: Civil War comes from hero Falcon, when he and Bucky first run into Spider-Man:

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Gimmicks have a long history in comic books.  Specifically, let’s look at comic book gimmick covers.  Like any good “publicity stunt,” gimmick covers draw attention to sell more comic books. Typically these specific issues celebrate milestone anniversaries, debut series, or other special events.

The good folks at Comic Book Resources (CBR) recently shared their “All-Time Greatest Comic Book Gimmick Covers,” and you can read about it right here.

In this list, you’ll learn all kinds of neat history and trivia, including what made these gimmicks special.  Behold covers with poly-bagged pop-ups, glow-in-the-dark skeletons, embossed chromium and/or foil, die-cut claw marks, bullet holes, and more.

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My favorite is the Superman “Colorform” cover, where you can create your own battle scene using the reusable plastic pieces.  (iPad got nothin’ on Coloforms.)

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Gimmicks are fun, but they can also go horribly wrong.  To wit, CBR contributors also compiled the “All-Time Worst Comic Book Gimmick Covers,” which you can read here if you dare.

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These unfortunate “shticks” include lenticular artwork, face-shaped die-cut covers, duplicate monochrome colors, Magic Eye illusions, body heat-sensitive “thermochrome,” and more bullet holes.

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Gimmick comic book covers have mostly disappeared, but new ideas (or old revivals) pop up from time to time.  The same is true for educational gimmicks.  Teachers must be vigilant in protecting their students (and themselves) from too many gimmicks, fads, and ploys.

 What are some of these educational gimmicks?  For a start, take a look at the following graphic highlighting “20 Years of Educational Fads,” put together by Te@cher Toolkit (“the most influential blog on education in the UK”).

20-years-educational-fads

You can read more here about each gimmick, myth, fad, and/or hearsay, and see how much you agree.

Such new (or repackaged) educational ideas begin as noteworthy or eye-catching.  A financial boost often jumpstarts such initiatives.  But eventually the dollars dwindle away, followed by fading enthusiasm and support.  Given the effort and time spent by various stakeholders, you can imagine the subsequent feelings of resentment and distrust.

Please note that I am not poo-pooing all gimmicks.  After all, I’m the guy who forked over cash to get this hologram-highlighted wrap-around cover:

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And this foil embossed beauty:

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And even this one:

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 (Yup, that’s a special #0 issue mini-comic glued to the cover of the #1 issue regular-sized comic.)

Gimmicks can be good for a laugh.  And sometimes they are a breath of fresh air.  Used right, gimmicks can make cute mementos, quick distractions, and useful object lessons.

Nevertheless, it’s important to distinguish between a novel trick (that’s fun for a little while) and a credible research-supported practice (that stands the test of time).

What about you?  What educational gimmicks have you enjoyed, advocated, and/or suffered?

Super-Souvenirs

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Last time we talked about lessons learned from conventions, whether the audience is teachers or cosplayers.

 

I nearly forgot one of the best rewards of attending conferences and meetings . . . the STUFF!

The swag . . . the loot . . . the prizes . . . the souvenirs.

This past weekend I participated in a state teacher conference, and I got a few of the usual convention freebies — posters, books, pens, highlighters, candy, a shirt, and more.  Someone I know even won a free corn snake!

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Take me home!

 

The best convention prize I ever got was a children’s book about Buzz Aldrin, signed by the astronaut himself!

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This very same weekend I came home and took my family to Marvel Universe Live!  (Think “Disney on Ice” with superheroes on motorcycles and high-wire acts.)

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The show was full of explosions, stuntmen (and stuntwomen), along with cheesy comic book dialogue. Best of all, it’s the only way (so far) you can see live-action Avengers fight alongside live-action X-Men and Spider-Man.

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My kids loved the show (me and the wife, too), and they also loved the souvenirs.  Just like conferences and conventions, this event had gobs of stuff to take home.  Such trinkets cost money, though.

But where else are you going to get an exclusive Marvel Universe Live! Prelude Comic Book?

prelude comic

 

Or giant-sized Program Book (with embossed cover)?

mu_live_program book

 

Or Captain America Boomerang?  (It works, too . . . in theory.)

boomerang

 

Or official Marvel Universe Live! cotton candy (with superhero mask)?

cotton candy.jpg

My family bought all of these beauties – BONUS!

 

Another lesson learned from this weekend is that teachers give their students an array of souvenirs over the course of a school year.  And I’m not just talking about content knowledge.

Every year, I ask my pre-service teachers to imagine their students at the end of the year.  In an ideal world, what will those kids be like?  What skills will they possess?  What traits, habits, and feelings do they have?

Elementary school pupils running outside

 

I’ve written about this before in a more scholarly setting. To be brief, the new teachers end up with a short list of about ten items.  The same types of traits and skills always emerge.

Teachers want students who are . . .

  • Critical Thinkers
  • Creative
  • Problem Solvers
  • Caring and Kind
  • Hard Workers
  • Curious
  • Lifelong Learners
  • Collaborative
  • Effective Communicators

And students who possess solid content understanding, of course.

School routine

 

Souvenirs are an important part of comic book conventions, education conferences, superhero stunt shows, and even school classrooms.

Some are free.  Others are pricy.  Cost does not always correlate with value.

What are your classroom’s best souvenirs?

Consider what “souvenirs” you provide for students over the course of the year.  Make sure they are treasures that last a lifetime.

 

marvel souvenirs